Micophone Stand M-300

49.00 AED

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Delivered Al Wahda St -Industrial Areas

ndustrial Area - Sharjah

7 days satisfaction guarantee

Micophone Stand M-300

49.00 AED

49.00 AED

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Al Fan Al Raqi Musical Instruments

An M-300 microphone stand is generally a versatile, adjustable stand (often tripod-style) for recording or live use, featuring height adjustment, boom arm, and stable base, with brands like Hebikuo, Hercules (MS300B), and Neewer offering similar models known for portability, durability (metal/alloy construction), and compatibility with various microphone clips, making them suitable for vocals, instruments, podcasts, or streaming. Key features often include 360° rotation, anti-slip feet, and cable management, though specific specs vary by manufacturer. 
Common Features of M-300 Stands:
  • Adjustable Height: Ranges typically from around 85cm up to 138cm or more, accommodating different performers and setups.
  • Boom Arm: Provides extended reach and flexible microphone positioning, often with 360° rotation.
  • Stable Base: Die-cast metal tripod or weighted round base for stability, with rubber feet to prevent slipping and protect surfaces.
  • Durable Construction: Made from quality materials like aluminum, steel, or alloy for strength and portability.
  • Universal Compatibility: Standard screw mounts (3/8" to 5/8" adapters) fit various microphone clips.
  • Portability: Foldable legs and compact design for easy transport and storage.
  • Cable Management: Clip-on holders keep cords neat and out of the way. 
Brand Variations:
  • Hebikuo M-300: Focuses on multi-angle rotation and sturdy alloy/plastic build for versatile recording/performance.
  • Hercules MS300B: A low-profile model with a unique tilting base and swivel legs, great for tight spaces like amps or podcasting.
  • Neewer MS-300C: A boom pole (not stand), lightweight carbon fiber for filmmaking/vlogging. 
In essence, an M-300 is a reliable, adaptable microphone stand for various audio needs, balancing stability with ease of use and transport. 

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